四重奏

片名:《四重奏》
类别:爱情片
演员:英语
上映时间: 1981
发行地区: 法国
绝代佳人的百度网友评论:屡见不鲜的简单题材也能挖掘出优秀的内容，功底深厚。
英俊潇洒的【新尚影院】分享《四重奏》故事简介:
Ithasbeensaidthatmostgreattwentiethcenturynovelsincludescenesinahotel,asymptomofthevastuprootingthathasoccurredinthelastcentury:JamesIvorybeginsQuartetwithamontageofthehotelsofMontparnasse,aquietpreludebeforeourintroductiontotheviolentlylostsoulswhoinhabitthem.Adaptedfromthe1928autobiographicalnovelbyJeanRhys,QuartetisthestoryofalovequadranglebetweenacomplicatedyoungWestIndianwomannamedMarya(playedbyIsabelleAdjani),herhusbandStefan(AnthonyHiggins),amanipulativeEnglishartpatronnamedHeidler(AlanBates),andhispainterwifeLois(MaggieSmith).ThefilmissetintheGoldenAgeofParis,Hemingwaysmoveablefeastofcafecultureandextravagantnightlife,glitterandliterati:yetunderneathistheoutlineofsomethingsinisterbeneaththepolishedbrassesandbrasseries.WhenMaryashusbandisputinaParisprisononchargesofsellingstolenartworks,sheisleftindigentandistakeninbyHeidlerandhiswife:thepredatoryEnglishman(whosecharacterRhysbasesonthenovelistFordMadoxFord)isquicktotakeadvantageofthenewlivingarrangement,andMaryafindsherselfinastrangleholdbetweenhusbandandwife.Loversalternatelygravitatetowardandarerepelledbyeachother,nowprofessingtheirlove,nowconfessingtheirbrutalindifference--allthewhilekeepingupappearances.Thefilmexploresthevastterritorybetweentheniceandthegood,betweenoutwardrefinementandinnerdarkness:afteroneviolentepisode,LoisasksMaryanottospeakofittothePariscrowd.Isthatallyoureworriedabout?demandsanoutragedMarya.Yes,Loisreplieswithicycandor,asamatteroffact.AdjaniwontheBestActressawardatCannesforherperformancesinQuartet:herMaryaisavolatilecompoundofFrenchschoolgirlandscornedmistress,veeringbetweentremulousjoyandhystericaloutburst.Smithshinesinoneofhermostmemorableroles:sheimbuesLoiswithaKatherine-of-Aragonimpotentrage,ashumiliatedassheispowerlessinthefaceofherhusbandschoices.HerinteractionswithBatesarescenesfromamarriagethathasmovedfromdisillusionmenttopaleacceptance.RuthPrawerJhabvalaandJamesIvorysscreenplayusesRhyssnovelasafoundationfromwhichitconstructsaworldthatisbothtruetothenovelanddistinctiveinitsownright,paintingasocietythathaslostitsinhibitionsandinadvertentlylostitssoul.Wearetakentomirroredcafes,thenmovethroughthelookingglass:Marya,inonescene,isofferedajobasamodelandthenfindsherselfinasadomasochisticpornographersstudio.Thefilm,asphotographedbyPierreLhomme,createsthoroughlycinematicmomentsthatRhysnovelcouldnothaveattempted:inoneoftheIvorysmostmemorablescenes,ablackAmericanchanteuse(extraordinarilyplayedbyArmeliaMcQueen)entertainsParisianpatronswithabigandbrassyjazzsong,neithersubtlenorelegant.Ivorykeepsthecameraonthesingersact:thereissomethinginherunguardedsmilethatmakesthedangerbeneathMontparnassemannersseemmoreacute.黑洞表面黑天使